By Jeffrey Bell-Hanson
As signature tag lines go, this is one of my favorites. You may recognize it as Frazier Crane’s trademark line from his radio advice show. For those of you just dropping by from another planet or somewhere else in the multiverse where this doesn’t exist, Frazier is a fictional character in a television sitcom, played brilliantly by Kelsey Grammar. The character is a snooty psychiatrist who returns to his hometown, Seattle, after some failed relationships back east—on another sitcom. He stumbles into the opportunity to do a daily advice show on AM radio, and he settles on these two words as a way of opening and closing his show and of inviting his callers to ask their questions. As often as not the words come out of his mouth dripping with irony because we can see from the antics in the studio that the last thing on Frazier’s mind is listening.
Sometimes, however, these are the last words spoken in an episode, and they reveal the deeper sense of humanity behind the comedy. They invite the audience to reflect on how some modicum of healing came—or might come—to one of the characters in the show, often Frazier himself, because he finally listened.
It strikes me that good artistic performances always invite the audience to listen. Moreover, they demand of the performers that they listen, and listen well. Art that is made in collaboration with others, as is so often the case in theater and music, depends on the participants establishing an atmosphere of trust and mutual support. Actions and reactions take place in real time. There is no editing. Responses to what others are doing have to take place almost instantaneously, so that the players seem to be moving breathing, speaking, and singing together as one. Once those relationships of trust and respect are established and practiced, the performers can actually begin to move and express themselves simultaneously. Everyone’s hearts and minds become more open, and we often see each other more clearly. We may even begin to better understand ourselves.
The truth is that the only really essential thing performers and audiences need to bring to the stage in the beginning is a commitment to listening. Trust and respect will grow with time and practice. Surely this must be true everywhere else we meet each other as well.


